It was a tragedy to finish this book and learn that there were no others by the author. This is one of the most insightful and thought-provoking books on feminine psychology that I have read - I needed to go back and reread it to assimilate the wonderful revelations she gives. The book is easy to read yet profound in the content and after being disappointed by so many other books on Jungian psychology (as they address the female), the author seems to illuminate the darker side of the feminine and also honor the beauty and purpose of women simultaneously. It's a must read for any women on the individuation path.

I loved the book, and I know very little about Jungian psychology. It is so insightful and clearly written that at times it causes goosebumps. I wish there were more books written by her available.

I recommend this to the lay person who has had some acquaintance with Jungian analysis or would like to. She has an amazing understanding of & respect for the analytic relationship and great insights into feminine psychology. Because it is written in the 70s there is an overuse of the masculine pronoun, which jars in a book on feminine psychology; but her other insights make up for it. This may be especially useful for women over 40.

What makes this book so good is the collection of characters. Probably the best X-Men team ever (perhaps for the exception of Rachel instead of Jean). Besides that: Colossus, Cyclops, Nightcrawler, Rogue, Shadowcat, Storm, and Wolverine. The story is very compelling, and the New Mutants play a key role as well. This is a *MUST HAVE* for any New Mutant fans as it is a pivotal point in the character developments of Mirage (Dani Moonstar) as well as Karma. Additionally, we get a very good glimpse of the different mutants personalities as each one has a miniature solo adventure as the plot begins to tie together. The storytelling is great, and the art is superb (especially for the era). I will note that the genre is more fantasy/mythology than typical superhero "street level" fare, but perhaps this is what makes it so alluring. My highest praises.

This story ranks right up there with "DARK PHOENIX" and the "Mutant Massacre". It feature beautiful art by Arthur Adams, (whose art has never looked as good since)and Paul Smith, and an intricate story by Chris Claremont. It features two stories, one with the X-men and Alpha Flight going up against the Asgardian god of lies Loki, and one featuring the X-men and New Mutants trying to rescue Their leader Storm from Loki (who intends to turn her into his wife and use her to conquer Asgard). I highly recommend this story for anyone who is a fan of the X-men. This is one of the high points of Claremonts long run as X-men writer.

For any fan of comic art, this book is a must have. Arthur Adams attention to detail started a revolution in the mid-80's, and the medium has never been the same since. For X-men fans, this series of annuals showcases some facinating character development.

This was one of the best X-Men stories, Claremont, shows that he just may be a mutant himself with his insight into the mutant phenomenon. This story may also be the basis for the sequel to the X-Men movie, if internet rumors can be trusted. If so, I can't wait to see the movie.

God loves, Man Kills sums up many of Chris Claremont's ongoing concerns from his more than a decade long stint on Marvel's X-Men series of comic-books. Using as the central point, the character of Magneto- a tortured , complex individual who suffered through the Nazi Holocaust and later became a bitter self-appointed aggressive advocate for superhuman 'mutants' like himself, this story explores the horrors of rascism and the difficulty that people have in trying to change their behaviour and outlook. In this story, powerfully and sensitively written by Claremont and expressively illustrated by the veteran artist Brent Anderson, the rage of Magneto at the sheer hatred behind racist groups and the hypocrisy of the far right religious groups is compelling. This graphic novel gave Claremont the chance to expand his usual monthly storylines into a feature length tale- aimed more at an older readership than the usual target audience and worked wonderfully as a strong, vital a! ! nd affecting story. If you haven't read comics since you were young- start with this.

If you're a fan of the New Mutants or Chris Claremont's original run on the Uncanny X-Men, it's definitely worth your time to find a copy of this quality comic trade paperback.

The incredible art is a great strength: it meshes very well with Claremont's focus on characterization and use of magic and psychic abilities.

Other X-Men/New Mutants titles or collections you may want to read: "God Loves, Man Kills;" "X-Men: Asgardian Wars," which includes pivotal stories for the New Mutant characters; and the second and third Essential X-Men collections, which introduces Illyana Rasputin and the New Mutants to the X-Men.

This book reprints The New Mutants 18-21 (from 1984), featuring the first four issues of Bill Sienkiewicz's stunning artwork on this title. These issues feature the first appearance of Warlock and supporting characters Tom Corsi and Sharon Friedlander, the arrival of Rachel Summers in this timestream, Magik's first experiences with her unusual armor, the destruction of Asteroid M, Dani's battle with the Demon Bear, and much more. The Claremont/Sienkiewicz combination is a touch more surreal than the New Mutants' usual fare, and helped to make the New Mutants a better-selling title than the X-Men for a time. Don't miss this one.

I was a little put back wondering how so much could be written about one piece of art; then again we're talking a monumental groundbreaking piece, Promethius. At first drawn to the colorful photographs of this fantastic public display I was mesmerized with the brilliance of color, slashing strokes of genius revealing the at once creator and destroyer Promethius. Larger than life, in epic proportions this mammoth contribution was created by one of the three master muralists of Mexico, Jose Clemente Orozco. The other two muralists being Siquieros and Rivera who would later follow suit and create murals in the United States. The color and black and white pictures of Orozco's art, including some from Mexcio, is worth the price of the book by itself. The book features four rather scholarly essays written over a span of forty-three years. These essays are considered the most important analytical writings on Promethius by Orozco. The book details the origins of this book, the problems and the success in producing a complimentary publication to the major exhibition that came to the United States in 2001of which I was fortunate enough to witness.The aquisition of the original drawings was a struggle but eventually the family relinquished the ownership so that the originals could be with the mural in Pomona College. One of the interesting controversies regarding Promethius was the fact that everything was massive and in colossol proportions, the muscled male nude had everything except for his genitalia which was missing. Throughout it's reign over the dining hall at Pomona College, since 1930, students have had protests over this issue and it has even resulted in vandalism. In spite of the controversy restoration has taken place to guard and preserve the original integrity of the masterpiece for future generations. Anyway the essays are interesting and thought provoking. Many angles are discussed that deal with the social and historical relevence of Promethius and as to why Orozco chose him. The actual reproduced art work is an amazing demonstration of brilliance. Many of his other works are featured and discussed as well. The collection of studies for the murals are exceptional embryonic manifestations of the inner workings of creativity. I would highly recommend this book to anyone interested in the works of Jose Clemente Orozco.

Literary Chicago: A Book Lover's Tour Of The Windy City was designed specifically for bibliophiles in need of a fun and lively guidebook to the homes, haunts, and neighborhoods of Chicago's impressive literary figures ranging from Ernest Hemingway, Gwendolyn Brooks, David Mamet, and Carl Sandburg, to Ben Hecht, Mike Royko, Studs Terkel, Edna Ferber, and Saul Bellow. Literary Chicago is unique, user friendly, and a "must" for locals and out-of-towners wanting to explore Chicago's heritage of writers, journalists, poets, editors, publishers, and bookstores.

I started picking up the Star Wars comics halfway through its run -- right when this book takes off. Compared to the first issues in the series, the art is quite sophisticated and matches well with the imagery seen in the films. Characterizations are remarkably deep considering the plotters were barred from using situations that would pop up in Return of the Jedi.

My favorite bit deals with a young Rebel woman who looks like she could be Luke's first girlfriend, but is actually much more. I won't spoil the surprise here, but let's just say that Mara Jade wasn't exactly a totally original creation.

Most importantly, these stories are FUN and are a great read for all Star Wars fans young and old. I can't recommend them highly enough.

Chris's best comic book story ever was not the X-Men, but with Star Trek; Debt of Honor. It is a sequal to the fourth Star Trek movie, but it also covers the 25 years of Trek history that featured the original Trek crew. Federation, Klingons, and Romulans must put aside their differences to stop one of the galaxy's most sinister theats. Great reading for long time Trek fans like myself and I hope newer Trek fans check it out as well.

I think almost anything this guy writes is golden. Very good writer. Made the Pheniox Saga come alive, and has showed us many tales of the x-men.

This follow-up book to the incredible "Chicago Haunts" is equally as impressive and hard to put down.
While most "sequel" books are obviously comprised of filler material and rushed to press to capitalize on an earlier success, it is evident that this book was painstakingly researched. It is beautifully done. Bielski doesn't just recount ghost stories; she weaves in sympathy, historical fact, and sometimes humor to present artfully written short stories. Her hard work does not go unnoticed in this book. If you love Chicago history, ghost stories, or just good reading, this is a book for you.

Bielski responds to hungry readers' continuing craving for otherworldly weirdness by reviewing her files for stories she sifted out of both of her previous Chicago-focused titles (CHICAGO HAUNTS editions 1 & 2). As the subtitle indicates, these stories delineate a fascinating expanse of human consciousness that lies somewhere between subjective experience and synthesizing belief.

Bielski's talent for placing myth in the context of its culture, time, and place without dissecting the thrill out of it makes her work an illuminating, entertaining ride through Chicago history from the delightfully skewed angle of enduring energies that go way beyond the city's "I Will" ethic. Her sense of humor infuses her open-minded investigator's rationality with a kind of hip campfire storyteller's glee. Don't miss the unique legacies Bielski unearths here and throughout her addictively haunting volumes.

Author Ursula Bieslski provides an excellent sequel to her first book of ghostly tales. Told through historical facts and by eye witness accounts, this book is worthy follow-up. Highly Recommended! Perfect for Halloween or any ghost-hunting time of the year.